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Books by Rochelle Krich

  • : Now You See Me...

    Now You See Me...
    A Molly Blume Mystery
    "One of this year's best mystery novels...an intriguing, engrossing, and even enchanting tale magnificently and beautifully told" - Bookreporter
    "
    "A gripping tale of deceit, revenge and murder" - Jerusalem Post

    "A well-crafted mystery that is also a powerful exploration of the tragedy of unintended consequences. Krich excels at creating suspense through her characters' struggles and mistakes...a page-turner." -- Library Journal

    "Krich puts a sure finger on the painful spots where ordinary kids' problems turn into murderous melodrama—all at a bargain price." - Kirkus Review

  • : Dream House

    Dream House
    Agatha Award Nominee
    "Tantalizing...engaging" - Booklist

  • : Blues in the Night

    Blues in the Night
    Agatha Award Nominee
    "A sleuth worth her salt" - NY Times Book Review
    "A fresh new presence...Smart, resourceful, and curious--not much escapes her." Sue Grafton

  • : GRAVE ENDINGS

    GRAVE ENDINGS
    Winner of the Mary Higgins Clark Award
    L.A.Times Bestseller
    "Krich once again expertly mixes Orthodox Jewish faith with crisp, whodunit plotting....An engaging thriller...Krich never misses a beat" (Publishers Weekly)
    Winner of the Calavera Award

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June 28, 2005

"False Profit" Sharing

If you haven't read False Profits by Patricia Smiley, you're missing an entertaining mystery.

Falseprofits I met Patty years ago when we were both involved with the L.A. chapter of Sisters in Crime. This past February we caught up at Left Coast Crime in El Paso, and last week we talked books at a local (L.A.) Coffee Bean & Tea Leaf on Robertson and Beverly. (I love the Coffee Beans, which are giving Starbucks a run for their java. The coffee is delicious--I'm partial to the white chocolate latte--and they have to-die-for pastries. Kosher. My favorite is the crumble cheese Danish. I had one this morning.)

Anyway, this weekend I read False Profits. I was curious to "hear" Patty's literary voice. I was a little apprehensive, too, because what if I didn't like the book?

But I did. Very much. The mystery introduces feisty financial consultant Tucker Sinclair and a strong cast of supporting characters. The plot is fast-paced, the dialogue is sparkling, and Tucker's observations are filled with wit and humor.

June 24, 2005

Lone Eagle Not So Lone

From the Southern Review:

A new book published on May 30 contends that American aviator Charles Lindbergh, the “lone eagle” lionized for his solo flight across the Atlantic, had three German mistresses simultaneously and seven secret children. The book is The Double Life of Charles A. Lindbergh by Rudolf Schroeck in cooperation with the seven German children sired by Lindbergh.

According to the book, Lindbergh, who also had six children with his U.S. wife Anne Morrow Lindbergh, visited and supported the seven German children for decades.

Highly publicized genetic tests conducted 18 months ago proved claims by three of the German children that Lindbergh, who died in 1974, was their father. The new book says he fathered two more children with their aunt and two with his German secretary.

Schroeck recounts how Lindbergh started a romance with Munich hat-maker Brigitte Hesshaimer in 1957 when he was 55 and she was 32. They had three children, confirmed by the genetic tests.

According to new information, Lindbergh also romanced Brigitte's sister Marietta and a third woman, an acquaintance of the sisters named Valeska who served as Lindbergh's German translator and private secretary. "Valeska was an extremely attractive blonde woman," writes Schroeck.

The book says all three women knew about Lindbergh's romances with the other women but more or less tolerated it.

June 23, 2005

ARC

On my desk are three advanced reading copies (ARCs) of Now You See Me..., which Ballantine will publish this fall. They showed up today in a Time-Warner carton from my agent (What is Time-Warner sending me? I wondered as I carefully sliced the packing tape), so I was delighted by their unexpected arrival.

The glossy cover--the title and my name against a red-and-white background with the Ballantine logo--doesn't show the jacket art, but the ARC is only one small step from the actual book. Leafing through the pages and inhaling the heady aroma of ink on paper fills me with excitement.

At the same time it heightens my impatience: October 25, the publication date, is five long months away.

The cover also caution readers:

Advance Uncorrected Proofs
Please do not quote for publication without checking against the finished book.

I always wonder how much attention is paid to that caveat. A while ago I made edits to the unbound page proofs that aren't reflected in the ARCs. I have an urge to take a fine-point pen and make every change and addition, to send a note to every reader and reviewer and bookstore owner who will read this ARC:

"I've removed that clunky sentence. I've tweaked that phrase. I've fine-tuned that bit of dialogue, resolved that plot inconsistency."

The Blogs That Bind

Since I began this blog in early March, I've connected with people all over the world. One of them is Danny Bloom, who lives in Taiwan and recently wrote, "Why Do Jews Blog?"

Another is Pearl from Toronto. Pearl and I have been e-mailing for several months, and this past Sunday we finally met at the second annual memorial lecture for Ariel Avrech, alav ha'shalom, sponsored by his parents, Robert and Karen.

I had seen a photo of Pearl, so I recognized her as I stepped out of my car, which I had parked directly in front of the synagogue where the lecture was to take place. Pearl recognized me, too, from my photo on this blog.

There was something almost cinematic about our arriving at precisely the same moment, with no one else around. We smiled at each other, entered the synagogue together, sat next to each other during the lecture and the brunch that followed.

And there was something unusual and noteworthy about Pearl's having traveled from Toronto to Los Angeles to attend a memorial for a young man she had never met, a young man she came to know through Robert's blog.

June 21, 2005

Trading Up

Sarah Weinman provides a link to Doug Seibold's article in the Book Standard: "Trade Paperback Originals: TPO, or Not TPO, Or How I Drank the Kool-Aid and Learned to Love a New Format."

Seibold, who in 2002 founded the independent publishing house Agate, was leery when his distributor first recommended trade paperback originals in lieu of hardcovers.

But no longer:

In the months since that first conversation," Seibold says, "I’ve drunk deeply of the TPO Kool-Aid. You’ll see a lot more of them on my lists, and a lot fewer hardbacks.

Seibold explains why, and I found myself nodding in agreement--primarily, I'll admit, because I'll be drinking from the same cup of TPO Kool-Aid (the kosher variety, of course) this October when Ballantine publishes Now You See Me..., my fourth Molly Blume mystery.

I'll admit that, like Seibold, I had reservations when Ballantine suggested publishing the book as a TPO. The first three mysteries in the series were published in hardcover, then mass market. Was this a step down? I wondered.

And yes, I'm one of the authors Seibold describes:

I have met very few authors (especially of fiction) who are not captive to the “white-dress wedding” vision of the publishing experience: handsome hardback first edition, stacked prominently on front-of-store tables, reviews appearing in all the major papers the same week as the publication date, sit-down interview with Katie (not Matt, and definitely not Al or Ann), Charlie, Terry, Larry . . .

But as Seibold points out, that's not the reality for most authors. It's certainly not mine.

I did my homework. I spoke to booksellers -- independent and chains. I spoke to program directors at several organizations. I spoke to readers. I learned that, with the exception of collectors, who buy only hardcovers, everyone loves trade paperback.

Price, of course, is a major factor. And quality. As one independent bookseller told me: Book club readers love TPOs. They're more affordable than hardcover, and with the better quality paper and larger print, they're preferable to mass market.

So I'm trading up. I'm embracing TPO, and hoping the format brings Molly Blume a wider readership.

Stay tuned...

June 20, 2005

Birkonim

Nextbook has a link to an article in the Jerusalem Post about Birkonim, a film by two Orthodox Israeli women (Michal Brunschwig-Levi and Rivka Imbar) about an Orthodox divorcee who "becomes obsessed with collecting and destroying birkonim (in English, they're called bentchers), the booklets of prayers and songs many Jewish couples give out as souvenirs of their weddings."

(Another Nextbook link, supposedly related to the film, took me to UltimateWedding.com, and a glossary of Jewish wedding terms.)

Bentchers vary in price, depending on style, material, and size: The no-frills version offers simple text on pages stapled into a card-stock cover. (Moire is extra.) For a little more, you can get text bordered in metallic ink--silver or gold. Still more, text that's illuminated--the illustrations are beautfiul, but make it difficult to read the words. The Lexus of bentchers is oversized, its pages stitched into leather covers that will weather spills from wine and other liquids.

All bentchers have the basics: the name of the happy couple embossed in black, gold or silver or other exotic colors on the cover (Hebrew is read right to left, so the "front" cover is what most people would consider the "back"), the date of the wedding (usually in Hebrew and English), sometimes the wedding venue. Most bentchers also duplicate the logo from the wedding invitation--a couple's monogram or, more typically, an artistic rendering of that monogram (often the Hebrew initials) into a nuptial item or other object of Jewish ritual. A chalice, a ring, a chuppah, a Star of David.

Over the past thirty plus years, I've taken home at least two hundred bentchers from weddings I've attended. Maybe more. Some of them sit within easy reach in a holder on top of the built-in side cabinet in our breakfast room. Most of them are stored in the cabinet's drawers. Periodically, when the drawers become overly crammed, I weed out those bentchers that are no longer in good condition, those whose covers or pages may have been splattered with wine or grape juice or gravy, whose pages may have been torn, or may have fallen out. I give them to my husband, who takes them to the synagogue, where someone will place them in "sheimes" and bury them. (Prayer books or other writings with G-d's name cannot be trashed. They have to be handled with dignity.) But I'm sentimental, so I'll hold onto bentchersthat are falling apart if they're from family and close friends.

The weeding at times furrows my brow. Since most bentchers are stamped with the name of the couple -- i.e, "Mr. and Mrs. Jeremy Cohen"-- and many of the booklets have been there for decades, if the couple aren't close friends or children of close friends, and if I was invited by the parents of the bride, whose name doesn't appear on the bentcher, chances are I no longer remember the couple or the wedding. Those bentchers may be in pristine condition, but they're the first to go to the "sheimes" stack.

Other times the weeding elicits nostalgia, or melancholy. Or pain. Seeing the names of the couple can evoke remembered joy and laughter, the benign passing of years. It can also be a reminder of a friendship that has waned for no particular reason, of friends who have moved away, or those who have succumbed to illness. And some bentchers are souvenirs of loss, of marriages that, unlike the stitching holding the pages together, have unraveled.

My husband and I have only two bentchers from our own wedding over thirty years ago. (We think the waiters inadvertently trashed the two dozen or so extra copies we'd ordered and set aside.) The cover is a cheesy, nappy stained red--I can't imagine why I chose it. There is no logo, no bordered or illuminated text. Our name is misspelled.

It's perfect.

June 17, 2005

Cruising Along

I've been meaning to blog about Tom Cruise and Katie Holmes, who became officially engaged at the Eiffel Tower, but my friend Paul Guyot pretty much said it all.

Is it possible that Cruise is genuinely in love? Anything's possible. But there's something unseemly about the way he's exploiting the media by denying that he's doing so, and publicizing feelings that most people strive to keep private.

Especially when, as someone commented on Paul's blog, his children with Nicole are unlikely to appreciate their father's over-the-top expressions of adulation for the woman who has supplanted their mother.

That type of insensitivity is one reason I loathed Robert James Waller's The Bridges of Madison County, a novel that, to me, celebrates adultery. (There's an hilarious parody, The Ditches of Edison County. I think I still have the link somewhere.) I was particularly troubled by the preface, where the daughter comes across a letter from her newly deceased mother about the once-in-a-lifetime love good ol' mom found in a torrid adulterous affair with a stranger who was infinitely more exciting than dad.

Oh, and the mom gives details about where they "did it." Nice.

So I thought: The daughter will be repulsed, devastated. No child wants to have her illusions about her parents shattered. And for what purpose?

But no: The daughter says something like, "Isn't Mom wonderful?"

Come on, Tom. Show some Cruise control.

June 16, 2005

Playing Detective

The other day, when I was doing research for my short story, "Why Peggie Didn't Get Married," part of the Blog Short Story Project, I Googled "Los Angeles Police Department Auctions" and found PropertyRoom.com.

Read the FAQs. Cruised the site. Checked out some of the items being auctioned, including jewelry. Pages and pages of jewelry, some of them quite attractive, and with equally attractive prices--so far. Because the bidding is still in progress.

But what really intrigued me was the message, printed in eye-alerting red, by Auction Riot, the company handling the auction:

"This site will be closed June 13th and 14th."

Interesting.

June 13th and 14th happened to be Shavuot, the Jewish holiday that celebrates the receiving of the Torah at Mt. Sinai and during which dairy dishes are traditional.

A coincidence? I wondered as a I nibbled on a leftover blintz. (Made from scratch, following my friend Liz's recipe. The lemon rind rocks.)

But what were the odds that a company would choose those two dates to shut down?

So I placed a call to Auction Riot, heard a greeting recorded by someone whose voice sounds remarkably similar to the voice of Mary Alice, the (deceased) narrator on Desperate Housewives.

I left my name and phone number.

"Please call me," I said.

I am so curious.

Stephanie Doyon

Read any good books lately? Try The Greatest Man in Cedar Hole, a debut adult novel by Stephanie Doyon, whose mentors at Colby were writing masters Richard Russo and Jim Boylan.

Cedarhole Doyon, who was a ghostwriter for several teen series and penned her own On the Road series with a teenage protagonist, shows a sure hand in this novel that follows two rivals from childhood through adulthood. The characters are memorable--realistic, engaging, quirky--and they defy stereotype. And while Doyon infuses her story with elements of comedy and pathos, she never sentimentalizes.

Want to know more about the novel and the author? Read my chat with Stephanie at ReadersRoom.com.

June 15, 2005

Blog Short Story Project

In May I was invited to participate in The Blog Short Story Project, organized by David White and Bryon Quertermous.

The word count: 3000 words. The assignment: The story should revolve around something taken to or bought at a police auction.

My story:  WHY PEGGY DIDN'T GET MARRIED

A week after Daryl walked out on her without so much as a by-your-leave, Peggy was only half-pretending to be heartbroken.

“Almost two years,” her mother said, standing inches from the bed where Peggy lay curled on her side, hugging the Pepto-Bismol-pink wall and the pink-and-white striped comforter she’d pulled over her head to shut out her mother’s braying, praying she’d go away. “And what do you have to show for it? Nothing, that’s what.”

“Nothing” meant a wedding band, which Peggy had hoped for, and Daryl had kept promising, “I love you, baby,” not just when they were making the springs creak on the lumpy sofa bed in the Culver City apartment he’d been itching to leave.

“As soon as I have enough to set us up in a nice place,” he’d told her. “You deserve better than this.”

Most times Peggy was sure that anything had to be better than living under her parents’ roof. She’d moved back ten months ago when she got laid off from the bank where she’d been a cashier, and even if the temp work she’d found turned into a permanent position, Peggy didn’t earn enough to afford an apartment in a safe neighborhood, not when L.A. rents were climbing faster than the ivy in her parents’ yard, even for a studio like Daryl’s. And Daryl’s place wasn’t an option. It was a twelve-by-sixteen rectangle, overwhelmed by the large cardboard boxes that arrived almost daily, with a closet-size kitchen and a bathroom not much bigger, and rust stains in the sinks and tub that were webbed with cracks.

And although Peggy loved Daryl--he was smart and ambitious, and handsome, too, with a smile that had wormed its way into her heart the minute she’d laid eyes on him at her best friend Sheryl’s engagement party, and he made her laugh more than he made her mad, Peggy had begun to suspect that there was more to Daryl than he let on.

Or maybe less.

So when Daryl skipped—he wasn’t dead, Peggy realized with thumping relief that turned to anger as she took in the emptied apartment, not comprehending at first that he was gone, lightheaded from the fear that had pinched her heart and the breath she’d sucked in and hadn’t let out when she stepped inside behind the manager, whom she’d forced to unlock Daryl’s front door the morning after Daryl didn’t show to take her to dinner and a movie, didn’t return any of her increasingly frantic calls—when Daryl skipped, Peggy was grieved that she’d never feel his arms around her, never hear him whisper sweet words in her ear, most of which she believed. At the same time she was outraged that he’d allowed her to imagine the worst, how could he!, resentful that he’d proved her parents right. And a tiny part of her was relieved.

“At least he didn’t leave you pregnant,” her mother said.

Peggy sighed.

“You’re not pregnant, are you, Peggy? That would be rich.”

Peggy wasn’t pregnant, but she decided to let her mother worry. Her father, too. Maybe she would wait to tell them, put a pillow under her sweater in a few months, then two pillows, parade around the neighborhood. Her parents had never liked Daryl. Maybe that was why he’d left.

“What does he do, sitting in front of his computer all day?” her father had said. “No more day-trading, huh?” Her father had snickered.

Peggy was sorry she’d told her parents about the day-trading. She thought they’d be impressed, like she was.

“That’s not a job,” her homemaker mother had said, her hands on the hips the doctor had told her were too narrow, it was a miracle she didn’t die giving birth. Peggy couldn’t begin to count the number of times she’d been forced to hear the pain her mother had suffered to bring her ungrateful self into the world. “It’s one step away from gambling. Isn’t that so, George?”

George was an insurance salesman who usually finished his can of Miller Lite before he started snoring on his brown Naugahyde recliner while watching ESPN.

George had nodded. “Only crooks become rich overnight.”

“You wish,” Peggy had muttered.

“What’s that?” her mother had said, her voice grating like chalk against a blackboard.

“And the rich get away with murder,” her father said. “O.J. Robert Blake. Everybody knows Morton Wills killed his father, but he'll walk. Day-trading,” her father said again and huffed.

Peggy had taken pleasure in the envy that nibbled at her parents when Daryl’s portfolio soared up, up, up, along with her hopes. Then, seven months ago, she had burned with shame, for Daryl, at the gleam in her father’s eyes when she admitted that things had gone south, the engagement was on hold.

“Figures.” Her father had drained the beer can, smacked his lips, added a belch.

Peggy hadn’t told her parents about the merchandise in the boxes in Daryl’s apartment--cell phones, Sony Play Stations, drills, cameras, purses, laptops, other stuff Daryl hadn’t even unpacked yet or catalogued, stuff he’d bought cheap and hoped to sell high on E-Bay. She didn’t tell them about the sports memorabilia Daryl was buying and selling, also on E-Bay, mostly baseball cards, who knew there was a market for that?

Daryl did. He knew a lot about a lot of things. He read all the time, newspapers and Internet news. He was good with names, never forgot a face.

"This is our ticket to Beverly Hills, baby," he'd told Peggy, waving his hand at the boxes, his free arm snug around her waist.

And now he was gone. And despite what her mother had said, he hadn’t left Peggy with nothing. Her red leather jewelry case (five dollars on E-Bay, brand new) was filled with pretty things Daryl had given her, all in the past six months--bracelets, rings, earrings, pendants; some of them with pearls or precious stones, many of them with diamonds. Peggy’s favorite was a pendant with diamonds and sapphires that Daryl told her brought out the blue in her eyes. The pendant was shaped like a heart, and just because Daryl had stomped on hers didn’t mean she wouldn’t wear it.

The first time Daryl gave her a piece of jewelry, a tennis bracelet with more than two carats of diamonds, much nicer than anything her mother owned or hoped to own, her father had wondered how Daryl could afford it. “Now that he’s not making a killing in the market, heh, heh.”

“Probably got it off the back of a truck,” her mother said.

Peggy had stormed out of the den to her room, where she threw herself on her bed. But as she flicked her wrist back and forth and watched the light playing off the diamonds’ facets, a part of her had wondered, too. She nosed around the subject with Sheryl and her husband, Gordon, and learned that Daryl had recently sold them a flat-panel computer monitor at his cost, and an emerald-and-diamond ring, an anniversary gift for Sheryl.

“Daryl wouldn’t tell me his source, but the stuff is top quality,” Gordon said. “What does it matter? It’s not like he stole it or anything.”

Peggy had a sinking feeling. She loved Daryl. She loved the bracelet. But she had nightmares that one day soon the cops would come knocking on her parents’ front door and drag her from her bed.

“This is stolen property, ma’am,” they would say as they released the clasp on the bracelet and removed it from her wrist.

Her parents would love that. Oh, yes.

So she confronted Daryl.

He dropped the People magazine he was reading. He leaned his head back and laughed.

“Steal it back,” he told her.

Her heart pounded in her chest. “What?”

“You should see your face, baby, you’re red as a tomato. Stealitback.com. It’s a Web site.” He laughed again. “That’s where I bought the bracelet, and Gordon’s monitor and Sheryl’s ring. That’s where I’ve been buying other things, too, that I’ll be selling for much more. I didn’t tell Gordon because he has a big mouth, and I don’t want all his friends bidding against me. And I didn’t tell you--well, I’m not sure why.”

Daryl led Peggy by the hand to his computer and sat her on his lap while he logged onto the Internet and PropertyRoom.com, which, he had learned from surfing the Web one day, handles police auctions for over three hundred cities, including New York and L.A.

“It’s like shopping the day after Christmas and New Year, only with much, much better prices and no long lines,” Daryl said. “The police are thrilled, because they don’t have to deal with stuff piling up in warehouses, and I’m getting quality goods for pennies on the dollar. You can buy real estate, too. Can you believe that? A parcel of land for a few hundred dollars, maybe less.”

“So this bracelet was stolen?” Peggy asked.

“Not by me,” Daryl said, full of cheer. “The police don’t put anything up for auction until they’ve given up trying to find its owner.” He fingered the bracelet. “If I didn’t buy it, somebody else would have. Does it bother you, baby?”

Peggy wasn’t sure, but she said, “No, of course not.”

“The trick is to wait until the auction is almost over,” Daryl told her. “That’s when you bid. Otherwise, you’re just raising the price. Here, let me show you.”

In the following months Peggy spent hours watching Daryl bid for items, usually with success, which he punctuated with a whoop that she matched with a smile. At home she often found herself thinking about the owner of the bracelet, or the earrings that followed it, or the ring, or another bracelet, or the heart-shaped pendant with the sapphires that may have brought out the blue in its wearer’s eyes. But Daryl was right. If he hadn’t bought the items, someone else would have. And Peggy told herself the original owner had probably bought something else by now, with the insurance money.  

Three weeks ago she decided to surprise Daryl with a digital camera he’d been pricing for himself. She saw one on PropertyRoom.com that had the features he wanted, and the right number of pixels.

She did what Daryl taught her to do: She waited until a minute before the auction was scheduled to close. Then she submitted her bid. When she won, her face was flushed with excitement that equaled several glasses of wine. She understood Daryl’s whoop, and gave one of her own.

Ten days later the package arrived while Peggy was at the market.

Her mother had unwrapped it. She waved it in front of Peggy when she returned home. “You can’t afford to move out, but you can afford an expensive camera, is that right?”

“It’s for Daryl,” Peggy said, seething. “A present. I got it at an auction, cheap.”

Her mother grunted. She extended the camera to Peggy, as though she were going to hand it to her. At the last second she released it, and Peggy had to scramble to catch it before it fell to the floor.

In her room, with the door locked, Peggy examined the camera, which the auction site had said was in excellent condition. She pressed the Zoom button. She checked the flash. She opened the tiny viewing screen, pressed a button, and found herself staring at a photo of a beautiful blond woman in her forties sitting at a blackjack table. Her makeup and hair were perfect, and she was smiling with delight, maybe because of the tall stacks of chips in front of her. Behind her, one hand on her shoulder, was a brown-haired man. He was smiling, too. Her husband? The woman looked like a celebrity. Daryl would know.

There were more photos, all with the blond woman and the man. At a golf course, on a balcony. In one shot, taken poolside, the woman was reclining on a lounge chair while the man squatted at her side. She had removed her sunglasses, which she held in one hand. In the other hand was the folded newspaper she’d been reading. To her right, several feet behind her, stood another woman in a bathing suit. Dark-haired, slim, with just the right amount of curves--the way Peggy would have liked to look.

Peggy was sorry she’d seen the photos. It made her wonder who had stolen the camera, and under what circumstances. Maybe the blond woman had forgotten the camera in the hotel. But then how had it ended up at a police auction? A home invasion? A street mugging?

A serial number was etched on the back of the camera. Peggy had read on the frequently asked questions posted on Stealitback.com that if an owner of a stolen object provided a serial number for that object and proof of ownership, Stealitback would return the item without charge. Peggy assumed that neither the blond women nor the man had written down the serial number. Most people don’t. She refused to worry about the unlikely possibility that the camera’s owners would, at some future date, contact Stealitback and claim their camera.

That night, in Daryl’s apartment, she watched his face as she presented him with the camera, which she had wrapped in teal foil paper and silver ribbon. She could see his boyish delight, even before he swooped her up in his arms.

“I had the winning bid,” Peggy told him, still airborne. “At Stealitback. It was fun,” she admitted.

He laughed and laid her on the sofa. “I’ve unleashed a monster.” He leaned over her.

“There are photos,” she said. “You’ll want to delete them, but there’s one of a woman. She seemed familiar.”

He looked at her, curious. “Someone you know?”

Peggy shook her head. “A celebrity? I’m not sure.”

Leaving Peggy on the couch, Daryl picked up the camera, flipped open the camera’s viewing screen, and advanced through the photos. Then he shrugged.

“Doesn’t ring a bell,” he said.

Peggy knew he was lying. She could tell from the tightening of his jaw, the darkening of his eyes.

He checked his watch, a Movado he’d bought on E-Bay. “We should go. I made reservations for seven-thirty.”

Peggy tried to imagine how she would feel if she could identify the person from whom someone had stolen the bracelet, or the ring, or earrings, or the heart-shaped pendant. She wouldn’t want to part with any of the jewelry she now considered her own, jewelry to which she’d attached memories.

She liked to think she would have done the right thing.

He saw her looking at him. “What?” he said.

“You’re sure you don’t recognize the blond woman? Or the man with her?”

“Positive. Never saw them before.”

He sounded so genuine. Maybe she was wrong. During dinner Peggy forced the camera out of her mind, and she returned with Daryl to his apartment and the sofa bed.

The following day Daryl flew to Arizona. Peggy drove to his apartment. Using the key he'd given her, she let herself in and felt like a thief as she checked his computer.

He’d downloaded the photos from the camera, had enlarged the one taken at poolside.

When Daryl returned the next day from Arizona--if that's where he really went, Peggy thought, miserable--she cancelled their date.

“Stomach flu,” she told him.

Two days later he was the one who cancelled. “A business meeting. If this pans out, Peggy—Oh, baby, baby, we’ll be set for life.”

Three days later she decided to tell him she didn’t care about the woman in the camera, though she did. But Daryl was gone.

That was a week ago.

Her mother had finally left the room. Peggy rolled onto her back and stared at the ceiling.

The following week two male detectives were waiting with her mother when Peggy entered the living room.

“It’s about Daryl, sweetheart,” her mother said, barely containing her glee. “He’s—“

“Ma’am.” The taller of the detectives stopped her with a frown, then turned to Peggy. “I’m afraid we have bad news. Mr. Hunter is dead. Someone shot him.”

Peggy stared at him. Daryl being shot was so ridiculous she almost laughed. The room began to spin. She tried to concentrate on the questions the detectives asked: When was the last time Peggy saw Daryl? Had he seemed anxious? Fearful? Did he have any enemies? Did he have business problems?

Later, Peggy returned to her room and slammed the door in her mother’s face. On her computer she pulled up the copies she’d made of the photos before wrapping the camera, she wasn’t sure why.

Daryl had focused on the poolside shot and had enlarged the newspaper the blond woman had folded. Peggy did the same. She could make out the grainy headlines, and the date—June 18--but nothing she read seemed relevant.

Daryl had made another copy of the photo and zeroed in on the dark-haired woman in the background.

That was the woman he’d recognized, Peggy realized with a jolt. Not the blond. She stared at the woman’s face.

Nothing.

The door opened.

“Go away,” Peggy said.

It was her father. “For what it’s worth, I’m sorry, Peg.”

Too little, too late, thought Peggy.

George peered over her shoulder at the computer screen.

“She’s a looker, that Angie Dean. Lucky for Morton Wills she says she was with him at his house when his father got whacked.”

“When was that?” Peggy said, her heart thrumming. “What day, I mean?”

“What day? Who cares?”

Peggy cared.

She looked again at the date on the newspaper. June 18. The same day, Peggy learned from Google, that Morton Wills’s father was murdered.

“Oh, Daryl,” she said, tugging at the heart-shaped pendant. “Oh, baby, baby.”

Copyright 2005 by Rochelle Krich

Do not reprint without permission.